Some people may regard Wajda’s Katyn as ‘too little, tool late’, and it’s not hard to understand why. The mass killing of Polish officers happened long ago, and the official line during the yrs under communism was that the Nazis were to blame and Soviets were the liberators. Even when the truth was confessed by Gorbachev in the late 80s, its impact outside Poland was limited. Liberal media around the world emphasized Gorbachev’s integrity over the details of Polish officers killed in cold blood. So, even as the Soviets finally admitted to the mass killings, the revelation was spun as proof of a new and humane kind of communism. This was to be expected from the Western media dominated by liberals, leftists, and Jews. Though the story of Katyn did make the pages of New York Times, it had no lasting impact on Western consciousness.
It also didn’t help that the American conservatives, being generally less interested in world affairs and other nations/cultures, didn’t pursue the crimes of communism abroad as passionately and thoroughly as Jews unearthed the crimes of Nazism. And, as the American conservative movement was taken over by Neoconservative Jews, most conservatives didn’t make too big a fuss over communism–as radical and even liberal Jews had been crucial to the movement. Hollywood certainly wasn’t going to make a movie or even TV movie about it. (The Jewish God said there shall be NO god other than himself. Modern Jews say there shall be no tragedy other than the Holocaust. A jealous god and a jealous people.) Finally, the far right in the West is still stupidly enamored of Nazism and Adolf Hitler, thus blind to the suffering of victims of WWII–other than Germans of course. The far right never had credibility on the few occasions when it condemned the massacre at Katyn since it has routinely apologized for or denied the equally vile or worse crimes committed by Nazis in Poland. So, Katyn never became the focal point of discussion around the world; it wasn’t useful nor comfortable to non-Poles. Besides, even democracies like the US and UK had adopted the ‘necessary lie’ in order to maintain the alliance with Stalin to defeat Hitler.
- Neo-Fascist Consideration of Walon Green & Sam Peckinpah’s THE WILD BUNCH: The Ride of the ‘Last Barbarians’(and Some Notes on Akira Kurosawa, Federico Fellini, Michelangelo Antonioni, and Ingmar Bergman). PART 2.
- Neo-Fascist Consideration of Walon Green & Sam Peckinpah’s THE WILD BUNCH: The Ride of the ‘Last Barbarians’(and Some Notes on Akira Kurosawa, Federico Fellini, Michelangelo Antonioni, and Ingmar Bergman). PART 1.
- Neo-Fascism on the Politics of Victimology: Victimology Is Not the Problem. Consideration of Our Victimology vs Other Victimology. Part 2.
- Neo-Fascism on the Politics of Victimology: Victimology Is Not the Problem. Consideration of Our Victimology vs Other Victimology. Part 1.
- Neo-Fascist Notes on God as Inspiration for Expansion of Thought; the Problem of Jews, Identity, and Modernity(atavism and avant-gard or avantavism); and Some Thoughts on THE MIST(directed by Frank Darabont from a Stephen King Novella) , A.I.(directed by Steven Spielberg), INSOMNIA(directed by Christopher Nolan), and POLTERGEIST(directed by Tobe Hooper) PART TWO.
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